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 Beau Dozier
Home Beau Dozier Hip HopThroughout the '90s the U.K. music scene was filled to the brim with nerdy cockney types sporting messy threads and even messier hair. Fresh faced Sophie Ellis-Bextor was amongst the first Brit-pop stars to break with this trend. She made it onto the stage in 1997 as the teenage vocalist behind new wave outfit Theaudience. Smartly dressed (often in black) and boasting a sexy, posh voice, she caused quite a stir on London's alternative circuit. Theaudience became known the world over as a groundbreaking pop act and even enjoyed success on the crowded U.K. singles chart with such imaginatively titled numbers as "I've Got the Wherewithal." Due to internal conflicts, however, the group split up and Ellis-Bextor went searching for success on her own. The solo thing wasn't really working out and it took her a while to re-emerge on the scene. But when she did, it was in late 2000 as a major star alongside Italian DJ/producer Spiller. The 6'9" Venetian had just put together a disco house number, titled "Groovejet (If This Ain't Love)," and was looking for a female vocalist to add spice to the work. Though very popular in the clubs as an instrumental, the track started selling like mad after Ellis-Bextor strutted her stuff over its deep grooves. It was a number one hit on singles charts around the world. Spiller and Ellis-Bextor both starred in the now famous film clip to the track, in which the Londoner's eye-popping set of cheekbones vied for supremacy with the Venetian's imposing stature. A year on, Ellis-Bextor was again making waves with the pop single "Take Me Home." Thanks to that effort, she beat the likes of Five to the number one spot on the U.K. singles chart. In their ongoing search for controversy, the British press even touted her as the main competitor to enormously popular Victoria Beckham, previously known as Posh Spice. That same year, Ellis-Bextor served up another chart-topper in the ultra-cool disco tune "Murder on the Dancefloor." ~ David Peter Wesolowski, All Music GuideSongwriter Beau DozierAfter Britney Spears, Christina Aguilera was the most popular female singer of the late-'90s teen pop revival. Unlike many of her contemporaries, Aguilera was a technically skilled singer with a genuinely powerful voice, belting out her uptempo dance numbers and ballads with a diva's panache. Born Christina Maria Aguilera on December 18, 1980, on Staten Island, her parents were of Irish and Ecuadorian stock and her father's military career meant the family moved quite a bit during her childhood. They eventually settled in Pittsburgh, PA, where Aguilera began performing in talent shows at age six, with considerable success. She appeared on Star Search in 1988 (though she didn't win) and in 1992 joined the cast of the Disney Channel's The New Mickey Mouse Club, which also included Spears, future *NSYNC members Justin Timberlake and JC Chasez, and Felicity star Keri Russell.Beau Dozier musicianBeau Dozier: Moving back to North Carolina, Folds in 1994 formed Ben Folds Five, a trio that also included bassist Robert Sledge and drummer Darren Jessee. Whereas most alternative bands of the '90s specialized in distorted teen-angst rock, the guitarless trio was a refreshing break from the norm, their sound akin to such past power popsters as Todd Rundgren, Jellyfish, early Joe Jackson, and such piano-driven artists as Billy Joel and early Elton John. But like punk bands, Ben Folds Five put on a high-energy, blistering live show. The band was signed to the independent Caroline Records shortly afterward, resulting in their self-titled debut one year later. Due to airings of their humorous anthem "Underground" (which poked fun at the politics of the punk/alternative scene) on MTV's 120 Minutes) and constant touring, quite a buzz was stirring for the band by the time of their second album. Beau Dozier Beau Dozier music Beau Dozier Destiny's Child gained momentum throughout the 1990s, appearing on Star Search in 1992 (under the name Girl's Tyme) and weathering several lineup changes before signing to Columbia Records in 1997. Four studio albums later, the group has officially become the best-selling female group of all time, with such smash hits as "Jumpin' Jumpin'," "Bills, Bills, Bills," "Say My Name," and "Survivor" bolstering the girls' momentum despite a continued string of lawsuits from former members Roberson and Luckett (who contested Mathew Knowles' management, claiming he withheld profits and unjustly favored his daughter and niece). In 2001, Beyoncé, Rowland, and replacement member Michelle Williams allowed themselves a break from the group to pursue individual solo careers. Before landing several movie roles, Beyoncé became the first African-American female artist and second woman ever to win the annual ASCAP Pop Songwriter of the Year Award. An appearance in the MTV drama Carmen: A Hip Hopera quickly followed, but it was her role as Foxxy Cleopatra in 2002's Austin Powers in Goldmember that established Beyoncé as a true Hollywood star. |